« My ceramic path started with photography. When I was a student at the academy of photography, I learned to see the world through documentation and structure, to look for connections and capture them.
It has always been important for me not just an image, but the whole process: to explore a topic, to live it through, to capture the subtle layers, to record observations, to collect a personal archive from it.
Over time, I realized that this logic — research / photography / documentation/ archive – has become universal for everything I do.
So it is in De Raouza — first the topic appears, sometimes the image, sometimes the word. Then I try out the material, look for the shape, sketch, capture the process. Each object becomes a document of my research, and as a result, it becomes part of the archive.
After creating a particular series, I continue to find traces of it in articles, films, and conversations.
Once started, ceramic research is never completed, but growing, forming new branches. »